Death metal font generator
It's a bold and dizzying display of musical daring and dexterity, an aural circus that along the way creates some newly definitive renditions of even the most familiar songs. Highlights? How long do you have? Suffice to say that the entirety of this two-hour and 16-minute set is nothing short of fabulous, reaching and at times even surpassing the high bar Robert Fripp has always set for his assorted versions of the band.
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Crimson, as you'd expect, sound well-honed in both settings, the musicians locked in with each other and the repertoire, and playing like, well, we may never see them again.
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(reportedly the last ever in North America for this troupe) along with four additional songs from an earlier stop in Albany. That's showcased in abundance on Music Is Our Friend, a 19-track set featuring the whole of this year's tour-closing date in Washington, D.C. The key, of course, is the front line of three drummers exploring advanced percussive orchestrations that bring fresh aspects of both power and nuance to the material. Music Is Our Friend is Crimson's eighth live album since this lineup hit the road in 2013, and truth be told it's such an audacious and successfully ambitious representation of the band we really can't get too much of it. The program we've been using? It's called T.O.B.I.Like the live adventures from all their other eras, King Crimson have well documented the octet/septet incarnation that, at eight years, ranks as the group's longest-lived lineup. We've been utilizing very similar technology to write our music this entire time. Well, here's the thing: We actually aren't surprised about this. "We've been hearing about this 'AI that's trained on Archspire writing death metal' over the past few weeks. So far, we haven't found anything that works better."Īrchspire have also commented on Dadabots, finally revealing that they themselves are also robots.
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Archspire is absurdly fast – they are basically machines. Our theory is the faster the blast beats, the more stable the net. Everything it generates sounds good to us. We tried this with 100 albums and found that Archspire's music made for the most interesting bot. "The remarkable part is the high quality-to-shit ratio. After generating, it randomly stitches the audios together, refills the buffer, and streams it with ffmpeg. It generates what it thinks it hears and tunes itself until it begins to intimate the sounds from the original album.
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"The neural net we used listened to Relentless Mutation over and over again. Here's an explanation from Zukowski, complete with metrics like the "quality-to-shit ratio".